Production Elements and Subject-Specific Terminology
Speak the language of theatre. Learn how set, costume, lighting and sound create meaning, the main stage layouts, and the vocal and physical skills that earn marks.
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The language of theatre 🎭
Examiners reward **precise vocabulary** and, above all, the **effect on the audience**. It is never enough to say the lighting was blue; you must say what that blue **made the audience feel**. This module gives you the production and performance vocabulary to do exactly that.
The production elements 💡
A production is built from four design elements: - **Set**: the scenery and staging that show where and when we are. - **Costume**: what the characters wear. - **Lighting**: how the stage is lit. - **Sound**: music and effects.
Match each production element to what it does
- Set
- Costume
- Lighting
- Sound
- Shows the location and period of the scene
- Reveals a character's status, personality and era
- Creates mood and directs the audience's focus
- Builds atmosphere and can signal offstage action
Lighting 🔦
Lighting is controlled through **colour**, **intensity** (brightness), **angle**, and **gobos** (stencils that project shapes like leaves or bars). Colour carries strong associations: **red** can suggest danger or anger, **blue** cold or sadness, and a warm amber wash comfort.
What does red suggest?
A scene is suddenly flooded with deep red light. What mood is this most likely to create?
- Danger, anger or passion
- Calm and peace
- Cold and loneliness
- Cheerful and playful
Sound 🔊
Sound splits into two important types: - **Diegetic** sound comes from **within the world of the play**, and the characters can hear it (a doorbell, a phone, a radio). - **Non-diegetic** sound is added **for the audience only**, such as background music (underscore) that the characters cannot hear.
Diegetic or not?
On stage a phone rings and a character picks it up to answer. What kind of sound is the ringing?
- Diegetic (part of the world of the play)
- Non-diegetic
- A gobo
- Proxemics
Stage configurations 🎪
How the audience sits changes the whole experience: - **Proscenium arch**: the audience is on one side, framing the stage like a picture. - **Thrust**: the stage juts out with the audience on three sides. - **Theatre-in-the-round**: the audience is on all sides. - **Traverse**: the audience sits on two opposite sides, like a catwalk.
Match each staging type to its layout
- Proscenium arch
- Thrust
- Theatre-in-the-round
- Traverse
- Audience on one side, framing the stage like a picture
- Stage juts out with audience on three sides
- Audience on all sides of the stage
- Audience on two opposite sides, like a catwalk
Vocal and physical skills 🗣️
Performers create meaning with two toolkits: - **Vocal skills**: pitch, pace, pause, tone, and projection (how far the voice carries). - **Physical skills**: gesture, posture, facial expression, levels, and proxemics (the use of space between characters).
Which are vocal skills?
Select the THREE that are vocal skills.
- Pitch
- Pace
- Projection
- Gesture
- Posture
- Facial expression
What is proxemics?
In drama, what does the term "proxemics" refer to?
- The use of space and distance between characters
- The speed of a character's speech
- The colour of the lighting
- The design of a costume
Direct a tense scene
An interactive activity.
Drama summary
The four production elements are set, costume, _____ and sound. A doorbell the characters can hear is _____ sound. When the audience sits on all sides, the staging is theatre-in-the-_____. The distance between characters on stage is called _____.